Kenneth Bell, adjunct instructor of horn, is a native of Buffalo, New York. He has a Bachelor of Music degree from the Eastman School of Music and a Master of Music degree from the Catholic University of America.
Ken has played with the Baltimore Symphony Orchestra since 1997.He is presently Acting Assistant Principal Horn. He has played regularly with the BSO under Yuri Temirkanov and Marin Alsop, including two European Tours, three Carnegie Hall appearances, and several recordings. He has played often with the Buffalo and Rochester Philharmonic Orchestras, and the National Symphony. He is Principal Horn with the Baltimore Chamber Orchestra, with which he has made recordings and toured China.
Ken was a member of two premier military bands, The United States Marine Band, and the Army Field Band. In the Marine Band, he wrote and performed educational concerts and recitals with the woodwind quintet. As first horn with the Army Field Band, he performed college clinics across the United States.
Besides his orchestral and military band touring, Mr. Bell toured the US and Europe as principal horn with several Broadway shows, including CATS, The Music of Andrew Lloyd Weber, and West Side Story.
As a chamber musician, he has performed at the Library of Congress and the National Gallery of Art. He has been an active arranger and publisher of music for horn and chamber music for over twenty years, and a brass repairman for five years.
Mr. Bell has taught students of all ages, from college students at Catholic University and the College of Charleston to beginning horn students in his own private studio. His newest teaching endeavor is an interactive history of the horn, as part of “BSO on the Go” at Strathmore Hall.
His teachers have included Roy Waas (Cleveland Orchestra), Milan Yancich and Verne Reynolds (Eastman), Ted Thayer (National Symphony), Julie Landsman (Metropolitan Opera), and Denise Tryon (Philadelphia Orchestra). Mr. Bell’s teaching is based on strong fundamentals, and reflects the philosophies of Philip Farkas, Carmine Caruso, Arnold Jacobs, and W. Timothy Gallwey. Literature is chosen from the standard solo and orchestral literature, as well as etudes from Kopprasch, Gallay and Maxime-Alphonse. Horn ensembles from duet to large horn choir are a regular part of the curriculum.
Kenneth G. Bell
Adjunct Assistant Professor
B.M., Eastman School of Music
M.M., Catholic University